Who’s Watching the Watchmen?
This spring, the movie version of Alan Moore’s critically acclaimed 1986 graphic novel Watchmen was released. In the world of comic nerdom, there were outcries that the change of medium from comic to film was an unholy and sacreligious travesty.
The reason for the uproar was that the one of the most compelling parts of the Watchmen comic was its extremely complicated presenation and plot. It takes several reads to figure out what’s happening and to decipher how the comic’s structure relates to its message. In contrast, the recently released cinematic version is filled with 162 minutes of gory action and special effects, perfect for passively watching with a $10 tub of popcorn.
Comics Are Cool; Movies Are Hot
Though Watchmen junkies might be little extreme in their complaints, the difference between movies and comics is a classic illustration of what Marshall McLuhan called “hot”and “cool” mediums, a distinction which classifies how much participation is required from a person to engage the medium. A comic is “cool” because it requires a reader fill in the sounds, smells, and details of what happens between the panes. In contrast, a film is “hot” because it completely envelopes a moviegoer’s senses and requires almost no participation or thought to grasp what’s happening. Continue reading Should Sunday Morning Be ‘Hot’ or ‘Cool’?